Jury members

Tom Beets

Tom Beets (*1983, Belgium) studied recorder and chamber music at the Lemmensinstituut in Leuven with Bart Coen and Bart Spanhove. He was also a student of Pedro Memelsdorff at the Escola Superior de Musica de Catalunya in Barcelona. He is active as a performer all over the world. In Europe, Tom collaborates (among others) with ensemble Currende (directed by Erik van Nevel), Capilla Flamenca (directed by Dirk Snellings) and his own promising ensemble MetroMarina. Tom joined the Flanders Recorder Quartet/Vier op ‘n Rij in 2007. The ensemble performs in the most prestigious concert halls around the globe and is a regular guest at many Early Music festivals.

Tom published numerous articles about ensemble playing as well as musicological research about the 18th century organ at the Mechelen Cathedral. As an ensemble teacher (be it as a member of Vier op ’n Rij or on his own) he is often invited to give workshops and masterclasses in Europe and the United States. Tom is chief editor of the only recorder magazine in Dutch, Blokfluitist. At the moment, he studies the viola da gamba with Rainer Zipperling and is an enthusiastic lindy hopper.

 
Bert Honig

Bert Honig studied recorder at the Sweelinck Conservatorium, Amsterdam with Marijke Miessen, Walter van Hauwe and Kees Boeke. Since 1986 he is a member of Brisk Recorder Quartet Amsterdam. As a member of BRISK, Bert received coaching from Frans Brüggen, recorded ten CDs and offered many concerts at prestigious venues and festivals in Canada, the United States, The Netherlands and many other European countries.

Bert performs regularly together with violin player Mimi Mitchell and harpsichordist Christina Edelen, as well as with the ensemble Occhio di Falcone. Together with Marjolijn van Roon, he participated in many concerts and CD recodgins of the Amsterdam Bach Soloists, directed by Richard Egarr and Roy Goodman. He teaches privately and has given workshops and masterclasses in The Netherlands, Germany, England, the Czech Republic, Portugal, Canada and Taiwan. He has also been a guest teacher at the conservatories of Enschede and Utrecht. For many years, Bert Honig was involved in the organization of the SONBU (Open Holland Recorder Festival).

 
Anna Stegmann

Praised as “fervid musician” who performs on “the highest musical and technical level” (Susanne Schulte, GWK Münster, 2007) Anna Stegmann is a passionate performer of contemporary and early music. Next to performing and commissioning new music for her instrument as a recorder soloist and with different ensembles, she is a member of the Royal Wind Music and the baroque ensemble Odyssee, which she extensively tours Europe with. With these ensembles and as a soloist Anna has recorded for Pan Classics, Lindoro and Mieroprint.

During season 2011-12 Anna will be heard in several venues and festivals all over Europe, amongst them the Reinkenfestival Deventer, Utrecht Early Music Festival, Musica Sacra Maastricht, van Wassenaer Festival, INCUBATE Festival, ERPS Biennale Zurich, Traumzeitfestival Duisburg and others.

Anna was awarded prizes in competitions such as the 11th Contemporary Chamber Music Competition in Cracow, the Montreal Recorder Competition, the LINKPRIJS and the GWK-Young Artist Award. Furthermore she was granted scholarships by the Deutsche Stiftung Musikleben in 2008 and 2009. Born in Germany, Anna studied in Münster with Winfried Michel and in Amsterdam with Paul Leenhouts, obtaining het Master degree with distinction in 2011.

Susanne Fröhlich

(b. 1979 in Passau, Germany) studied the recorder with Paul Leenhouts at Amsterdam Conservatory, where she obtained an artistic-pedagogical diploma and, subsequently, a Masters Diploma with distinction in 2004. She went on to study solo recorder with Prof. Gerd Lünenbürger at Berlin University of the Arts, where she obtained her Konzertexamen diploma with distinction in June 2008. Susanne regularly performs recitals and teaches workshops in Europe and overseas. She appears both as soloist and as a member of the recorder quartet QNG and of the trio U3 (featuring recorder, cello and harpsichord). She has participated in a number of world premières at renowned European venues and festivals with the ICTUS Ensemble from Brussels and the Neue Vokalsolisten Berlin (among others).

Susanne has won several scholarships and international competitions in Darmstadt, Rotterdam, Cracow, New York and Berlin. The four Berlin Universities of the Arts granted her a Young Talents‘ Advancement Scholarship in 2006/2007. She lives and teaches in Berlin and won a lectureship at the University of Berlin in April 2010.

 
Marco Magalhães

Marco Paulo Alves Magalhães (*1980) was born in Porto. He holds diplomas from the Conservatório de Música do Porto, the Escola Superior de Música de Lisboa and from the Conservatorium van Amsterdam. In these institutions he has worked with Pedro Sousa Silva, Pedro Couto Soares, Paul Leenhouts, Walter van Hauwe and Jorge Isaac. Marco has collaborated with many ensembles and orchestras including Capela Real de Lisboa, A Imagem de Melancolia, Il Dolcimelo, Concertus Antiquus, Sete Lágrimas, The Garnier Ensemble and Les Cinq Élèments. He has performed in Portugal, Spain, France, Holland, Germany and the USA in major concert halls such as Casa da Música (Porto), Concertgebouw (Amsterdam), Jordan Hall (Boston) and at the Utrecht Early Music Festival and the Festival de Musica Antigua (Barcelona).

Marco recorded a CD with the ensemble Sete Lágrimas, with the name Lachrimæ #1 under the Murecords label. With A Imagem da Melancolia he recorded two CDs: A Arte da Usurpação for Phonedition and The Bad Tempered Consort, for Challenge Classics.

 
Pamela Thorby

Described recently by BBC Radio 3 as ‘the queen of the recorder’ Pamela Thorby is unique amongst recorder players in the breadth and variety of her work and is widely regarded as the UK’s most stylish and creative recorder virtuoso. She can be heard on numerous recordings of music ranging from the medieval period to the present day and has toured internationally as concerto soloist, chamber musician and orchestral principal. She appears regularly in recital, and as soloist with leading ensembles such as the English Concert, La Serenissima and Concerto Caledonia. Pamela is about to record the Brandenburg Concertos with John Butt’s Dunedin Consort and has recently recorded as a soloist with La Serenissima and virtuoso bassoonist Peter Whelan on a CD of Vivaldi Concertos entitled Gods, Emperors and Angels. Her 4th solo album on LINN is French Baroque works accompanied by lutenist, Elizabeth Kenny entitled The Nightingale and the Butterfly. Pamela has composed an album of her own folk/jazz-inspired compositions entitled Ammonite and is featured on Revenge of the Folksingers album with Concerto Caledonia. Her latest project The Grand Tourists is a genre-hopping group of musicians acclaimed in their respective fields of old and music of all kinds. She began teaching at the Guildhall of Music and Drama within a few years of graduating from there and is now a GSMD Visiting Professor, teaches at York University, Birmingham University and gives masterclasses and workshops in the UK and Europe. Many of her students have gone on to make careers in the music industry as successful players and teachers.